N\u00eb prag t\u00eb nat\u00ebs finale t\u00eb edicionit t\u00eb tret\u00eb t\u00eb Festivalit t\u00eb K\u00ebng\u00ebs n\u00eb RTK, doktorantja e muzik\u00ebs, Kristina Palokaj Perkola, n\u00eb nj\u00eb analiz\u00eb t\u00eb saj vler\u00ebson lart\u00eb organizimin dhe nivelin artistik t\u00eb k\u00ebtij edicioni, duke e cil\u00ebsuar at\u00eb si m\u00eb t\u00eb mirin deri m\u00eb tani.<\/p>\n
Sipas Palokaj Perkol\u00ebs, pas dy mbr\u00ebmjeve t\u00eb para \u201cFestivali i K\u00ebng\u00ebs n\u00eb RTK po sh\u00ebnon nj\u00eb hap t\u00eb r\u00ebnd\u00ebsish\u00ebm drejt konsolidimit t\u00eb nj\u00eb tradite t\u00eb re muzikore n\u00eb kuad\u00ebr t\u00eb transmetuesit publik t\u00eb Kosov\u00ebs\u201d.<\/p>\n
N\u00eb reflektimin e saj ajo thekson se ky edicion d\u00ebshmon nj\u00eb p\u00ebrkushtim serioz dhe t\u00eb thelluar artistik qoft\u00eb n\u00eb aspektin organizativ, teknik apo estetik, duke n\u00ebnvizuar se nga skenografia, produksioni, ndri\u00e7imi, muzika, orkestra e deri te drejtimi i p\u00ebrgjithsh\u00ebm artistik; \u00e7do komponent reflekton nj\u00eb nivel profesional q\u00eb meriton vler\u00ebsim.<\/p>\n
\u201cNga k\u00ebndv\u00ebshtrimi im si muzikologe, ky \u00ebsht\u00eb, deri m\u00eb tani, edicioni m\u00eb i arrir\u00eb i k\u00ebtij festivali, duke d\u00ebshmuar tashm\u00eb krijimin e nj\u00eb tradite trevje\u00e7are me potencial p\u00ebr t\u2019u zhvilluar m\u00eb tej. E megjithat\u00eb, kur flasim p\u00ebr \u2018tradit\u00eb\u2019, duhet theksuar se ky festival nuk duhet t\u00eb shihet si nj\u00eb praktik\u00eb e re e lindur pa rr\u00ebnj\u00eb. Tradita e festivaleve t\u00eb k\u00ebng\u00ebs n\u00eb Kosov\u00eb ka nj\u00eb histori t\u00eb gjat\u00eb e t\u00eb pasur, q\u00eb nga periudha e festivalit \u2018Akordet e Kosov\u00ebs\u2019, i cili zhvillohej n\u00eb po t\u00eb nj\u00ebjt\u00ebn sht\u00ebpi mediatike, at\u00ebher\u00eb Radiotelevizioni i Prishtin\u00ebs. Ishin rrethanat historike ato q\u00eb krijuan nj\u00eb boshll\u00ebk t\u00eb gjat\u00eb kohor, nj\u00eb hap\u00ebsir\u00eb nd\u00ebrmjet\u00ebse midis asaj trash\u00ebgimie t\u00eb pasur dhe p\u00ebrpjekjeve t\u00eb sotme p\u00ebr t\u00eb ringjallur nj\u00eb frym\u00eb t\u00eb ngjashme. N\u00eb k\u00ebt\u00eb kuptim, Festivali i K\u00ebng\u00ebs n\u00eb RTK mund t\u00eb shihet si nj\u00eb \u2018f\u00ebmij\u00eb i vog\u00ebl\u2019 i Akordeve t\u00eb Kosov\u00ebs \u2013 nj\u00eb form\u00eb e re q\u00eb duhet t\u00eb mbaj\u00eb brenda vetes kujtes\u00ebn e nj\u00eb tradite t\u00eb madhe dhe t\u00eb q\u00ebndrueshme\u201d, ka theksuar Palokaj Perkola.<\/p>\n
N\u00eb reflektimin e saj, muzikologia ngre edhe disa v\u00ebrejtje profesionale, duke theksuar nevoj\u00ebn q\u00eb ky festival t\u00eb shihet dhe t\u00eb trajtohet si vazhdim\u00ebsi natyrale e \u201cAkordeve t\u00eb Kosov\u00ebs\u201d, pasi t\u00eb dy festivalet sipas saj \u201cndajn\u00eb t\u00eb nj\u00ebjt\u00ebn frym\u00eb: ombrell\u00ebn mediatike dhe synimin artistik, ndon\u00ebse zhvillohen n\u00eb kontekste t\u00eb ndryshme kohore\u201d.<\/p>\n
Ajo gjithashtu ndalet n\u00eb p\u00ebrdorimin e shpesht\u00eb t\u00eb termit \u201cfestival i jasht\u00ebzakonsh\u00ebm\u201d, teksa thekson: \u201cN\u00eb terminologjin\u00eb estetike, \u2018e jasht\u00ebzakonshme\u2019 nuk n\u00ebnkupton vet\u00ebm \u2018t\u00eb bukur\u00ebn\u2019, por at\u00eb q\u00eb e tejkalon kufirin e s\u00eb bukur\u00ebs, q\u00eb ngjitet n\u00eb sfer\u00ebn e madh\u00ebshtores dhe t\u00eb sublimes. Nga ky k\u00ebndv\u00ebshtrim, ky edicion (as dy t\u00eb par\u00ebt) nuk mund t\u00eb quhen \u2018t\u00eb jasht\u00ebzakonsh\u00ebm\u2019. P\u00ebrkundrazi, ky edicion ishte jo i jasht\u00ebzakonsh\u00ebm n\u00eb kuptimin fillestar t\u00eb fjal\u00ebs, por \u2018ishte jo i zakonsh\u00ebm\u2019 n\u00eb raport me dy edicionet e para\u201d.<\/p>\n
Ajo argumenton se arsyeja pse ky edicion \u00ebsht\u00eb \u201cjo i zakonsh\u00ebm\u201d q\u00ebndron te rikthimi i kujtes\u00ebs kulturore: \u201cSivjet, m\u00eb n\u00eb fund u rikthye kujtesa kolektive: u p\u00ebrmend\u00ebn Akordet e Kosov\u00ebs, disa nga k\u00ebng\u00ebtar\u00ebt dhe krijuesit e atyre dekadave. Pra, kjo \u00ebsht\u00eb arsyeja pse ky edicion ishte jo i zakonsh\u00ebm!\u201d.<\/p>\n
N\u00eb p\u00ebrmbyllje t\u00eb reflektimit, Palokaj Perkola thekson se Festivali i K\u00ebng\u00ebs n\u00eb RTK po d\u00ebshmon se nj\u00eb transmetues publik mund t\u00eb jet\u00eb jo vet\u00ebm platform\u00eb p\u00ebr shp\u00ebrndarjen e muzik\u00ebs, por edhe hap\u00ebsir\u00eb p\u00ebr kujtes\u00eb, dialog estetik dhe vazhdim\u00ebsi kulturore.<\/p>\n
Ajo p\u00ebrmbyll analiz\u00ebn e saj me nj\u00eb mendim q\u00eb ka frym\u00eb filozofike: \u201cSi\u00e7 do t\u00eb mund t\u00eb thuhej n\u00eb frym\u00ebn e filozofit Walter Benjamin, \u00e7do akt i ringjalljes kulturore \u00ebsht\u00eb nj\u00eb form\u00eb e kujtes\u00ebs q\u00eb refuzon harres\u00ebn, dhe ky festival, n\u00eb thelb, \u00ebsht\u00eb pik\u00ebrisht kjo: nj\u00eb kujtes\u00eb q\u00eb k\u00ebndon\u201d, ka p\u00ebrfunduar Palokaj Perkola.<\/p>\n","protected":false},"excerpt":{"rendered":"
N\u00eb prag t\u00eb nat\u00ebs finale t\u00eb edicionit t\u00eb tret\u00eb t\u00eb Festivalit t\u00eb K\u00ebng\u00ebs n\u00eb RTK, doktorantja…<\/p>\n","protected":false},"author":3,"featured_media":6988,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[170],"tags":[],"class_list":["post-6987","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lajme"],"_links":{"self":[{"href":"https:\/\/www.rtklive.com\/festivali\/wp-json\/wp\/v2\/posts\/6987","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rtklive.com\/festivali\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rtklive.com\/festivali\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rtklive.com\/festivali\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rtklive.com\/festivali\/wp-json\/wp\/v2\/comments?post=6987"}],"version-history":[{"count":1,"href":"https:\/\/www.rtklive.com\/festivali\/wp-json\/wp\/v2\/posts\/6987\/revisions"}],"predecessor-version":[{"id":6989,"href":"https:\/\/www.rtklive.com\/festivali\/wp-json\/wp\/v2\/posts\/6987\/revisions\/6989"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rtklive.com\/festivali\/wp-json\/wp\/v2\/media\/6988"}],"wp:attachment":[{"href":"https:\/\/www.rtklive.com\/festivali\/wp-json\/wp\/v2\/media?parent=6987"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rtklive.com\/festivali\/wp-json\/wp\/v2\/categories?post=6987"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rtklive.com\/festivali\/wp-json\/wp\/v2\/tags?post=6987"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}